From raw recording to final master — shaping sound with precision, clarity, and intention.
I'm an Audio Engineer, Audio Post-Production Specialist, Sound Designer, and Music Producer with a deep passion for sound in all its forms. I approach every project with a clear goal: turning sound into an experience that is both technically polished and emotionally powerful.
Whether it's music, film and game sound design, film scoring, or podcasts — I bring the same level of dedication and technical precision to every project.



Equipment · Software · Workflows
Including SSL Duality Fuse and SSL AWS 948 δelta. Experienced with all their functions, including patchbay setup, EQ, dynamics, and routing capabilities for efficient audio mixing and recording.
Pro Tools
Ableton Live
Studio One
REAPER
FL Studio
This website is a work in progress. More content is coming soon.
This project involved recreating the entire sound design of the Lightcycle scene from TRON: Legacy from scratch, building and editing the soundscape to match the action and visuals of the sequence. I also re-recorded and edited the dialogue, adapting the performances to the scene and synchronising them to picture. The project was completed with the full mixing of the sound design, dialogue, and original score into a cohesive cinematic soundtrack.
This website is a work in progress. More content is coming soon.
An unreleased, work-in-progress track developed from the ground up in collaboration with an independent artist. I handled the full production process, including recording, mixing, and mastering, shaping the track from its initial concept toward its final sound.
This website is a work in progress. More content is coming soon.
This website is a work in progress. More content is coming soon.
HarmoniQ4 is a 3-band harmonic equalizer plugin developed by me. It lets users shape tone with independent Low, Mid, and High bands — each with frequency, Q, and gain control — while simultaneously applying its own analog-modeled tube saturation curve. Each band includes a dedicated Drive control, letting users dial in exactly how much harmonic saturation to add on top of the EQ move, from subtle warmth to pronounced tube-driven grit, with each band's drive character (e.g. asymmetric vs. symmetric saturation) distinct from the others. A dedicated Air band adds fixed high-frequency excitation for extra clarity, sheen, and shimmer without needing manual tuning. Internally, the plugin uses oversampling to keep the added harmonics clean and alias-free even at high drive settings.
Got a project? Write me — let's make it sound right.